Movie-makers opposing New York’s recently passed gun-control laws are upset that they may have to use props instead of real firearms in films, a a blatant admission from people we call “creative,” , argues Steve Robinson, that without endless, massive gunfire there are no stories to be told, no issues to explore, no human experiences to illuminate.
hollywood
I’ll Have What She’s Having
In Praise of Nora Ephron
Long before she was putting words into the mouth of Tom Hanks in “Sleepless in Seattle” and fake orgasms into the mouth of Meg Ryan in “When Harry Met Sally,” Ephron was mastering the craft of learning from and telling truths about people from all walks of life as a $98-a-week cub reporter for the New York Post.