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Molly Tuttle, Abortion and Country Music

September 1, 2023 | FlaglerLive | 2 Comments

Molly Tuttle is a rising star in American roots music.
Molly Tuttle is a rising star in American roots music. (Amy Harris/Invision/AP)

By William Nash

Jason Aldean’s song “Try That In A Small Town” extols small towns as bastions of conservative values standing up against a litany of violent big-city bogeymen. The song, and the backlash against it, threatens to strengthen popular conceptions about the inherent conservatism of country music.




As an American Studies professor who teaches courses on country music, I am interested in the genre’s competing “liberal” lineage. For example, I have written about country musicians’ compassionate responses to the opioid crisis.

Another group of songs casts light on abortion rights, a newly pressing issue in the wake of 2022’s Dobbs v. Jackson Women’s Health Organization Supreme Court decision overturning the constitutional right to abortion. Rather than resort to angry polemics or pronouncements about morality, however, these country – and, more broadly, Americana – songs create intimate portraits of the women and men engaged in the painful realities of daily life. This helps maintain compassion and empathy in discussions of reproductive freedom.

Stories in post-Roe America

Perhaps the most striking of the new “abortion songs” comes from acoustic guitar wizard Molly Tuttle, a bluegrass musician and rising star in the American roots music scene. With “Goodbye Mary,” a track from her new album, “City of Gold,” Tuttle creates an intimate portrait of a woman’s struggle for bodily autonomy that captures the potential terrors of a post-Roe America.

The story chronicles the aftermath of a love affair between Thomas and Mary, whose language marks them as country folk. The song recounts Thomas’ abandoning the pregnant Mary, who chides him for failing to keep his promise to “build a cradle soon”; sending her directions on where to find an abortionist, who refuses to perform the procedure because “the baby’s too far ‘long”; encouraging Mary to fling herself down the stairs or “ride careless down a rocky road”; and saying that he “prays for her soul” after she finds and uses a “wire” in “the old tool shed” to abort the fetus. In the final verse, she asks him, from the confines of her jail cell, to “place pretty flowers on her grave.”




This last twist shifts the narrative from being solely a tale about the tragic failure of the man to own his part in the conception and destruction of their fetus. The story becomes a more layered statement about a woman’s grief when she is pushed to unbearable choices, and her need to balance control of her own body with the legal and psychological guilt imposed by society when she takes the only means of control open to her.

The result is an intimate portrait of a woman navigating a complex landscape made more perilous by the erasure of her rights. The agency left to her, in a world where male doctors can refuse her care and absentee partners can advocate for dangerous solutions, is self-destructive and scarring.

Women’s voices

With “Goodbye Mary,” Tuttle joins a line of female artists who have used country, folk or roots music to emphasize women’s reproductive rights. Perhaps the most famous example is Loretta Lynn’s “The Pill,” a song so controversial that it was effectively banned by country radio programmers after its 1975 release. Despite the resistance to the song, its message resonated so strongly with country listeners that it became one of Lynn’s biggest hits.

You wined me and dined me when I was your girl
Promised if I’d be your wife, you’d show me the world
But all I’ve seen of this old world is a bed and a doctor bill
I’m tearing down your brooder house ‘cause now I’ve got the pill

Loretta Lynn’s song ‘The Pill’ became popular despite the country music industry’s efforts to stifle it.

Another well-known chronicler of women’s struggles is Dolly Parton, whose 1970 track “Down from Dover” chronicles the sufferings of an abandoned teenage mother who feels relief and grief when her baby is stillborn. Less well-known by the mainstream but no less critically important in this history is Malvina Reynolds, whose 1973 “Rosie Jane” supported the Supreme Court’s 1973 Roe v. Wade ruling and whose 1978 “Back Alley Surgery” responded to efforts to restrict Medicaid funding of abortion.

There’s also a small but important history of male artists taking up these issues. Among the most moving of John Prine’s songs is “Unwed Fathers,” a pointed tale of Appalachian men who “can’t be bothered” with unwanted pregnancies and pursue personal and cultural freedoms that elude the women they have impregnated.




But not all the men in these situations are carefree. In “White Beretta,” a song from his “Weathervanes” album, Jason Isbell chronicles the retrospective grief and agony of a rural man who, when a teenager, failed to do more than the minimum for his pregnant girlfriend. The protagonist of the song does take her to have an abortion, but he offers her little empathy and sends her “in that room alone.” He does not regret the decision, thanking his former partner for her “grace/For the dreams we got to chase” because of her choice.

Multidimensional portraits

In the final analysis, both Tuttle and Isbell have created intimate, intricate portraits of people making decisions that cause them grief and bring them relief. Neither oversimplifies the issues at hand, just as neither artist wavers from the belief in the rightness of the decisions their respective characters make.

Put another way, these songs succeed in putting human faces on issues that have been depersonalized for political ends. Tuttle and Isbell remind their listeners that there’s more than one side to small-town life.

William Nash is Professor of American Studies and English and American Literatures at Middlebury College.

The Conversation arose out of deep-seated concerns for the fading quality of our public discourse and recognition of the vital role that academic experts could play in the public arena. Information has always been essential to democracy. It’s a societal good, like clean water. But many now find it difficult to put their trust in the media and experts who have spent years researching a topic. Instead, they listen to those who have the loudest voices. Those uninformed views are amplified by social media networks that reward those who spark outrage instead of insight or thoughtful discussion. The Conversation seeks to be part of the solution to this problem, to raise up the voices of true experts and to make their knowledge available to everyone. The Conversation publishes nightly at 9 p.m. on FlaglerLive.
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Reader Interactions

Comments

  1. whiplash says

    September 3, 2023 at 12:05 pm

    Mr. Nash is the perfect example of the old saying that: Those who can “do” and those that can’t “teach”! From its ratification in 1788 until Roe in 1973 there was no Federal right to abortion!
    Abortion was never “constitutional” on the federal level until Roe was handed down. Prior to Roe it was always left up to the states to regulate, as per the “Constitution”. Dobbs simply corrected the erroneous Roe decision!
    Dobbs agreed that abortion is in fact constitutional, but a right left to the states that must be regulated by the states.
    So simply put, the US Supreme court’s decision in Dobbs just takes the Federal Government out of the picture and leaves it up to the individual states to regulate.

  2. Ray W. says

    September 3, 2023 at 5:01 pm

    Is whiplash right? Has the federal right to privacy been settled once and for all?

    From the very small volume of notes and letters written contemporaneously with the debates during what we now call the Constitutional Convention, one of many issues discussed by the members was whether inserting a list of rights into the proposed constitution would allow some to argue at a later time that no other rights could be added in the future. While no records exist to establish how that debate was finally settled, clearly, the members decided against inserting such a list into the proposed Constitution.

    During the ratification debates in the various states, some 40 different individual rights were proposed and debated, though several pertained to the same right, with slightly different wordings. There are documents establishing that the Federalists promised to pass a Bill of Rights during the first Congress in exchange for ratification of the proposed Constitution. Based on that promise, those who favored inclusion of individual rights into the proposed Constitution agreed to vote to adopt the Constitution as published. The first Congress then produced the Bill of Rights.

    Can it be argued that our founding fathers, at least the ones who favored adopting a new Constitution over the already-existing Articles of Confederation, wanted to keep open the possibility of adding individual rights throughout however long the experimental form of government lasted? That there never was to be a limit to the number of individual rights that could be recognized by the federal government.

    Once again, the issue seems to be how our founding fathers were taught to reason. Is reason a process or is it result? If to them reason was a process, then they had to go through the reasoning process over and over again, in order to follow reason to wherever it led them. If reason was a result, then someone else could tell them what reason meant and they could limit themselves to other people’s conclusions. To our founding fathers, trained in the Scottish Enlightenment forms of reason, reason was not ever intended to provide the final word on any subject. They could be persuaded by reason, but they would never submit to another person’s reasoning process. To them, that would have been tyranny. Their age in academia is known as the Age of Reason. They reasoned out everything, in their letters to each other, in their debates on the floor of Congress, in their town halls. Many of our founding fathers relied heavily on the arguments raised by Thomas Reid, who is considered to be one of several philosophers behind the Common Sense movement that swept the colonies and the early Republic. Our founding fathers would never have allowed someone else to decide the meaning of common sense for them.

    Then comes whiplash, who claims that the individual right to privacy was never constitutional until Roe. From one perspective, he is right. From another perspective, when someone finally came up with a reasoned argument that was accepted by the Supreme Court, the law was expanded and a new right to privacy was created. In that sense, Roe was correctly decided at the time. Dobbs is simply another opinion that relies on a different form of reasoning. It can be changed again.

    Look closely at whiplash’s argument. Does Whiplash argue: I, whiplash, have engaged in a reasoning process for everyone else, and I am right, and everyone else must follow my form of reasoning? I argue, as I have always argued: Reason is a process that we all need to engage in, over and over again, forever, and wherever reason leads us, we need to follow it.

    Before I entered law school, my father told me that the most important thing I needed to know was what one of his first-year professors told a class: The law is what a judge says it is on the day that he or she says it, and don’t ever forget it. Roe was never erroneously decided. Reason prevailed. A different form of reason overturned it. The argument continues. So long as we follow reason, the Constitution does not appear to limit the number of individual rights available to us all.

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